Tuesday 19 February 2013

WEDNESDAY 20 FEBRUARY: IRENA ARTEMENKO (WADHAM COLLEGE) AND SARA-LOUISE COOPER (BRASENOSE COLLEGE)



JOINT SESSION
CONFERENCE ROOM @ TS ELIOT THEATRE, MERTON 
17:00 - 18:30
DRINKS AND NIBBLES PROVIDED



Irena Artemenko (Wadham College)

Emmanuel Levinas: Being, Death and Infinity




Abstract
The truism of no contact between life and death implies that it is impossible for us to experience our own death and that the only relation we can have with death is built out of emotional and intellectual repercussions after the death of the other and provides a rich matrix for a philosophical reflection on the role of ethics in the quest for meaning.  Emmanuel Levinas notes that we gain knowledge about death from experiencing and observing the behaviour of others near death or simply the behaviour of others as mortals who are aware of their finitude and oblivious to it at the same time.  But the consciousness of one’s finitude implicates the idea of time, which leads Levinas to pose a question about the function and significance of time in one’s being - now from the vantage point of the involvement of the self with the other.  Because, for Levinas, if the only way one can be affected by death is through the death of the other, the notion of finitude translates into the realisation of time not as the limitation or annihilation of one’s own being but, first and foremost, into the understanding of time as the experience that is attainable solely through the other and, only then, as the context within which the relationship of the self with the other unfolds.  Should we accept this proposition, it does not matter whether time indeed organises, totalises or gives continuity and meaning to our own finite existence as long as it allows us to exit our self-centred, self-enclosed being and try to aim beyond it – at infinity.




Sara-Louise Cooper (Brasenose College)

‘Une assise prismatique de l’être’: Spectra in Patrick Chamoiseau’s Une enfance créole





Abstract
In this paper, I show how the fluidity of the spectrum and its capacity to bring together seemingly separate phenomena allows Chamoiseau to re-establish the linguistic, temporal and spatial continuities he knew as a child and which were broken upon his entry into the adult world.

The schooling system Chamoiseau experiences institutes a vertical, hierarchical relationship between French and Créole, whereas before he had not realised there was any distinction between the two languages. The association of French with learning and the dismissal of Créole as backward installs a separation between the young Chamoiseau’s intellectual life and his bodily life, his lived worlds and his learned worlds. The adult Chamoiseau comes to see this separation as damaging, so his autobiography emphasises the porous boundaries between mind, body and world. He wishes to convey that his pre-school freedom from colonial hierarchies is not irrevocably lost to him and to do this he must demonstrate how past and present are not sealed off from each other, but are joined in constant interaction on a temporal spectrum.

Une enfance créole is generically situated between fiction, autobiography, and theoretical work, as the author uses his childhood to make political points, meditates on the structures of memory, and slips seamlessly from historical fact to fantastic and dream-like episodes. This exploration of the generic spectrum lets Chamoiseau show how memory, invention and political action are bound up with each other.


Tuesday 5 February 2013

WEDNESDAY 6 FEBRUARY: CLARISSE ZOULIM (WADHAM COLLEGE) AND ALICE HOLT (WADHAM COLLEGE)


JOINT SESSION

FITZJAMES II, MERTON
17:00 - 18:30
DRINKS AND NIBBLES PROVIDED


Clarisse Zoulim

The self and language : Ricoeur's narrative theory of the self vs. Stéphane Chauvier's linguistic account



Abstract
Paul Ricoeur'’s narrative theory of the self, developed in Soi-même comme un autre has attracted a lot of attention since its publication in the 1990s and is still considered by some as providing a solution to several questions concerning the true nature of the self. But, however appealing this theory might be, the highly metaphorical, and therefore not so explicit, dimension of its content, cannot be denied. For this reason, this paper’'s aim will be precisely to attempt to strip this theory of its metaphorical dimension in order to reveal its very theoretical core on the one hand, and, on the other, to propose a critique of this theoretical core  by setting up a fruitful confrontation with Stéphane Chauvier’'s linguistic theory of the nature of the self, set out in his 2001 seminal book Dire « je ».

Clarisse Zoulim is teaching French at Wadham. She is agrégée in philosophy as well as a student of the Ecole Normale Supérieure, Paris, and of the Sorbonne (Paris I), where she is undertaking a PhD in contemporary philosophy.


Alice Holt 

'Un temps habitable à l'homme': A comparison of Simone Weil and Walter Benjamin's Philosophies of Time and Industrial Modernity




Abstract
This paper will seek to offer a new perspective on French philosopher Simone Weil's (1909-1943) account of inter-war industrial work, suggesting that it can be read as more than a commonplace account of the dehumanisation inherent to modern industrial labour, but also as a distinct philosophy of time. Using her own experience as a factory worker as the basis from which to critique industrial practices, Weil sets out a vision of the inter-war factory worker as torn out of "habitable" time and hurled into the "tumulte glacé" of the mechanised production line with devastating psychological and physical consequences. This paper will show how Weil in her Cahiers, in her articles on industrial life and in L'Enracinement (1943), undertook to prove that industrial reformer F.W. Taylor and his disciples had confused the distinct temporal orders separating men and machines. With this in mind, she elaborated a conception of time, set out diffusely across a series of texts, which, this paper will argue, is related to Walter Benjamin's representation of time in "On Some Motifs in Baudelaire" (1939), where mechanised factory work provoked a fragmented "isolated experience" of time (Erlebnis) that lacked embeddedness within tradition-bound long-experience (Erfahrung). These approaches unite a conception of time estranged from rational, modern and scientific 'clock time' and favour an understanding of time determined by memory, experience and imagination.

Alice Holt is a second year Dphil student at Wadham. She did her BA in French and German at Pembroke College, Cambridge and her masters in political science at the London School of Economics.